This poem describes the lively and splendid scene of a New Year celebration in the capital city.
On the dawn of the new year in Jingluo, the moon is at its fullest. The moon seems to rotate alone in the clouds, like a unique gem hanging in the sky. People from all corners of the land gather together, bringing with them all sorts of theatrical performances. The streets are filled with vehicles, and the shops and pavilions are connected on both sides.
Amidst this liveliness, something extraordinary happens. Magnificent birds like red-crowned cranes appear from the洛水, and gracefully soaring仙鹤 grace the伊川. The beauty of these creatures dances against the backdrop of wind and snow, accompanied by sweet melodies from flutes and other musical instruments. These gorgeous women, dressed up beautifully, march into the theater, reminding one of ancient heroes like He Pinggu and Zhang Zixiang.
Their hair is tied up in high urban styles, and they are adorned with exquisite makeup. Their robes resemble flying peacocks, and their belts are adorned with images of mandarin ducks. The beauty of Ban Ji is reflected in their fans, and their movements send out a gentle breeze that seems to carry the fragrance of Han Shou.
Throughout the night, fish-shaped lamps are carried by people, and dragon-shaped candles illuminate the sky. The joy and laughter never seem to end, as songs and poems are recited continuously. Performing arts such as the Northern song and dance of龟兹are displayed with intricate masks adorned with gold and silver, and splendid costumes swaying with jewels.
The night is still young, and the performances have not yet ended, which is a sight to behold. Riders on horseback drive their horses forward, turning gracefully on their silver saddles. Swordsmanship is showcased as they jump and spin their swords in every direction. The dance of the animals is lively and vibrant, with lions, tigers, elephants, and other creatures performing to the beat of drums.
The scene then shifts to a lush forest where deer, monkeys, and other animals frolic. The old carvings on gold are displayed, and the sound of jade is heard as new ash is stirred up. The branches of riverside willows are covered with new growth, and old flowers scatter in the garden amidst plumes of plum blossoms.
As the night progresses, the stars begin to fade away, but the moon still shines bright in the sky. The princes and noblemen are still enjoying the festivities but have not returned home yet. Together, they raise their glasses to drink auspicious liquor while admiring this magnificent spectacle on this auspicious day for all under heaven.愿世间所有人都幸福安康。
《和许给事善心戏场转韵诗》是一首细腻描绘京城新年庆典盛况的佳作，全诗以流转的韵律和丰富的意象，将一幅幅生动的节日画卷缓缓展开，让人仿佛穿越时空，亲历那场繁华与欢乐交织的盛宴。
开篇“京洛重新年，复属月轮圆”，简洁明了地点出了时间和地点——京城洛阳，正值新年月圆之时，为全诗铺设了一层浓厚的节日氛围。随后，“云间璧独转，空里镜孤悬”，以璧转镜悬比喻月圆之夜，既形象又富有诗意，增添了几分空灵与神秘。
“万方皆集会，百戏尽来前”，这两句将视线拉向热闹的街头巷尾，各方人士汇聚一堂，各式各样的杂耍百戏纷纷登场，展现了新年庆典的盛大与多样性。接下来的“临衢车不绝，夹道阁相连”，则通过车辆的络绎不绝和楼阁的紧密相连，进一步描绘了街道的拥挤与建筑的壮丽。
“惊鸿出洛水，翔鹤下伊川”，以洛水惊鸿、伊川翔鹤为喻，形容女子们的美丽与飘逸，为庆典增添了一抹柔美与灵动。而“艳质回风雪，笙歌韵管弦”，则通过女子们在风雪中的曼妙舞姿与悠扬的笙歌管弦之声，将庆典的欢乐气氛推向高潮。
随后，诗人笔锋一转，开始描绘戏场中的佳丽与盛装：“佳丽俨成行，相携入戏场。衣类何平叔，人同张子房。”这里不仅赞美了女子们的美丽与气质，还巧妙地借用了历史人物的典故，增加了文化底蕴。紧接着，“高高城里髻，峨峨楼上妆。罗裙飞孔雀，绮带垂鸳鸯。”通过细致入微的描写，展现了女子们发髻高耸、妆容精致，以及服饰上的华丽与精致。
“月映班姬扇，风飘韩寿香”，这两句又巧妙地融入了历史典故，既增添了诗意的韵味，又展现了女子们的风雅与魅力。接下来的“竟夕鱼负灯，彻夜龙衔烛”，则通过鱼灯、龙烛的描绘，展现了庆典夜晚的明亮与热闹。
在描绘了庆典的繁华与热闹之后，诗人笔锋再转，开始描绘戏场中的精彩表演：“羌笛陇头吟，胡舞龟兹曲。假面饰金银，盛服摇珠玉。”羌笛的悠扬、胡舞的热烈、金银假面与珠玉盛装的华丽，共同构成了一幅幅生动多彩的表演画面。
“宵深戏未阑，兢为人所难。卧驱飞玉勒，立骑转银鞍。纵横既跃剑，挥霍复跳丸。”随着夜色渐深，戏场中的表演却愈发精彩，各种高难度的技艺表演让人叹为观止。而“抑扬百兽舞，盘跚五禽戏。狻猊弄斑足，巨象垂长鼻。青羊跪复跳，白马回旋骑。”则通过动物形象的描绘，展现了表演的生动与多样。
最后，“忽睹罗浮起，俄看郁昌至。峰岭既崔嵬，林丛亦青翠。麋鹿下腾倚，猴猿或蹲跂。”这几句以罗浮山的神秘与郁昌的奇幻为引子，将读者的视线引向了一个更加广阔而神秘的想象空间。而“金徒列旧刻，玉律动新灰。甲荑垂陌柳，残花散苑梅。”则通过时间的流转与季节的更迭，暗示了庆典的即将结束与新年的到来。
全诗以“繁星渐寥落，斜月尚徘徊。王孙犹劳戏，公子未归来。共酌琼酥酒，同倾鹦鹉杯。普天逢圣日，兆庶喜康哉。”作结，既描绘了庆典夜晚的静谧与不舍，又表达了对新年的美好祝愿与对天下苍生的深深祝福。整首诗情感饱满、意象丰富、韵律和谐，是一首不可多得的佳作。
