为李伯谦题蟠桃三熟图寿白沙叶巡检
瑶池春早群仙集，东方小儿吹玉笛。
酒酣携得蟠桃归，种向仙山人未识。
学仙之人写作图，风枝露叶青扶疏。
三实垂垂世所无，持赠将军欢有馀。
长歌愿祝将军寿，千岁蟠桃千岁酒。
将军自是山中人，好与蟠桃共长久。
丹鹤衔书昨日回，为报蟠桃花又开。
南极老人笑相待，稳驾虹桥归去来。
The spring comes early to the fairyland瑶池, and all the gods gather together. The little boy from the East blows his jade flute. After getting drunk on peach wine, they bring back peaches and plant them in the fairy mountain. The people in the world do not know them yet. People who learn from the gods draw pictures of them, and the branches and leaves are luxuriant with wind and dew. The peaches are so big that they are unprecedented in the world. They present these peaches to the general with great joy. A long song is sung to wish the general a long life. May the general live as long as the peach tree and the wine. The general is a person from the mountain and is friendly with peach tree. A red crane returned with a letter yesterday, telling us that peach flowers are blooming again. The old man in the South Pole smiles and treats them kindly. They drive a rainbow bridge and go back home steadily.
《为李伯谦题蟠桃三熟图寿白沙叶巡检》这首诗，以其丰富的想象力和绚烂的笔触，描绘了一幅仙境般的画面，旨在庆祝叶巡检的寿辰，同时也寄托了对长寿与美好愿景的深深祝福。
开篇“瑶池春早群仙集，东方小儿吹玉笛”，便将读者引入一个神话般的场景——瑶池仙境之中，春日晨曦中群仙汇聚，东方神童吹奏着悠扬的玉笛，一派祥和喜庆之气扑面而来。这不仅为全诗奠定了超凡脱俗的基调，也预示着接下来将有不凡之事发生。
紧接着，“酒酣携得蟠桃归，种向仙山人未识”，通过仙人酒酣后携带蟠桃归来的情节，巧妙地引入了“蟠桃”这一象征长寿的意象。而将这些仙果种植于仙山之上，世人难以得见，更添了几分神秘与尊贵。
“学仙之人写作图，风枝露叶青扶疏”，转而写到有人将这番仙境绘入图中，图中的蟠桃树枝叶繁茂，露珠晶莹，生机勃勃，既展现了画作的精妙，也隐含了对长寿与永恒的向往。
“三实垂垂世所无，持赠将军欢有馀”，这里的“三熟蟠桃”尤为引人注目，它不仅世间罕见，更是被作为珍贵的礼物赠予叶巡检，表达了赠画者对叶巡检的崇高敬意与美好祝愿。这份礼物带来的喜悦，自是难以言表。
随后，“长歌愿祝将军寿，千岁蟠桃千岁酒”，诗人直接抒发了对叶巡检的寿辰祝福，愿其如蟠桃般长寿，年年有酒，岁岁安康，情感真挚而热烈。
“将军自是山中人，好与蟠桃共长久”，此句将叶巡检比作隐逸于山中的仙人，暗示其品德高洁，与蟠桃同寿，既是对其人格魅力的赞美，也是对其长寿的美好期许。
末尾，“丹鹤衔书昨日回，为报蟠桃花又开。南极老人笑相待，稳驾虹桥归去来。”以丹鹤传书、南极仙翁相迎的情节收尾，不仅增添了诗意的浪漫，也寓意着叶巡检将如仙人般，在福寿绵长中悠然自得，跨越虹桥，往返于人间与仙境之间。
整首诗通过对仙境的描绘、蟠桃的赞美以及对叶巡检的祝福，构建了一个既虚幻又充满温情的寿宴场景，语言优美，意境深远，展现了古人对于长寿、美好与和谐的无限向往。