养竹轩歌为周庄吴逵子道赋
高轩公子良不俗，不种奇花种修竹。奇花照眼一时红，修竹虚心万年绿。
春雷击地新笋生，龙角森森那忍触。自锄暖土厚栽培，手挈银瓶细浇沃。
深根扫除蝼蚁窟，香叶终期凤凰宿。日使沾濡雨露恩，岁寒岂惮冰霜酷。
猗猗绕户矗琅玕，含雾连烟比淇澳。招摇皓月金琐碎，勾引清风声戛玉。
炎天展簟卧苍雪，春日听莺泛醽醁。可能一日暂相忘，坐对此君看不足。
君不见白乐天，重言养竹比养贤。又不见东坡诗，无竹士俗不可医。
君今有竹善培养，会看直拂青云上。
High-ranking noble公子is indeed not vulgar, not planting exotic flowers but cultivating bamboo. Exotic flowers are eye-catching with a moment of red, while bamboo is modest and verdant for all eternity.
Like spring thunder striking the earth, new bamboo shoots emerge, their森森dragon-like corners touching but not intruding. He himself cultivates the soil with a hoe, thickens it with his own hands, and waters it with a silver bottle.
Deep roots eradicate the ant nests, and the fragrant leaves eventually become the residence of phoenixes. Day after day, they are nourished by the grace of rain and dew. In the cold winter, they are not afraid of frost and ice.
The towering bamboo, with its gracefully winding branches, stands like a piece of crystal amidst the mist and smoke, comparable to the beautiful riverbank of Qi Ausu. Its leaves sway in the moonlight, casting gold fragments, and its branches rustle in the breeze like striking jade.
On hot summer days, one can spread a bamboo mat and lie on its cool surface, basking in the shade; in spring, one can listen to the chirping of birds while enjoying a cup of clear liquor. One cannot forget about it even for a moment; sitting and admiring this noble plant is never enough.
Have you not seen Bai Letian's emphasis on nurturing bamboo as if it were nurturing talents? Neither have you seen Su Dongpo's poetry about how the absence of bamboo in a scholar's life is uncurable.
Now you cultivate bamboo well, and soon it will reach up to the clouds.
《养竹轩歌为周庄吴逵子道赋》一诗，以清新雅致的笔触，描绘了一幅高洁脱俗的养竹图景，同时也寄寓了诗人深厚的情感与哲理思考。开篇“高轩公子良不俗，不种奇花种修竹”，直接点出主人公的超凡脱俗，以种竹而非奇花，彰显其高洁之志，不同流俗。奇花虽艳，一时之盛，而修竹虚心，万年长青，对比之下，竹之品格更显高洁坚韧。
“春雷击地新笋生，龙角森森那忍触”，以春雷喻新生，新笋破土而出，生机勃勃，龙角之喻，既形容竹笋之挺拔，又暗含其不凡之气。“自锄暖土厚栽培，手挈银瓶细浇沃”，细致描绘了主人对竹的精心照料，每一动作都透露出对竹的深情与敬重。
“深根扫除蝼蚁窟，香叶终期凤凰宿”，既是对竹生长环境的清理与保护，也是对竹终将引来高洁之物的期许，寓意深远。“日使沾濡雨露恩，岁寒岂惮冰霜酷”，展现了竹不畏严寒、坚韧不拔的品质，同时也映射出人的品格，无论顺境逆境，都应保持本色，不改其志。
“猗猗绕户矗琅玕，含雾连烟比淇澳”，以琅玕（美玉）喻竹，形容其美丽而高洁，与淇澳之竹相比，更显其超凡脱俗。“招摇皓月金琐碎，勾引清风声戛玉”，借月光与风声，描绘出竹影婆娑、清风徐来的美妙景象，既有视觉上的享受，又有听觉上的愉悦，营造出一种超凡脱俗的意境。
“炎天展簟卧苍雪，春日听莺泛醽醁”，夏日炎炎，竹荫下如同卧于苍雪之中，清凉宜人；春日里，听黄莺啼鸣，品美酒佳酿，生活惬意而高雅，竹为这一切美好提供了背景与氛围。
“可能一日暂相忘，坐对此君看不足”，表达了诗人对竹的痴迷与依恋，一日不可无竹，坐观竹影，心旷神怡，永远看不够。
最后，诗人引经据典，“君不见白乐天，重言养竹比养贤。又不见东坡诗，无竹士俗不可医”，借白居易与苏轼之言，强调竹之于人的重要性，不仅是自然之美，更是精神之寄托，品德之象征。“君今有竹善培养，会看直拂青云上”，既是对友人养竹之善的赞美，也是对其未来必将成就一番事业的预言，寓意深远，充满激励。
整首诗通过对养竹生活的细腻描绘，不仅展现了竹之美，更传递了诗人对于高洁品格的向往与追求，以及对友人的真挚祝福与期待，读来令人心旷神怡，回味无穷。