望庐山
去年山中行，未了庐山意。今年江上望，始尽庐山势。
只道山中行，未识庐山面。那知江上望，已失庐山愿。
人生出处前料难，向来窗下有此山。一行作吏事便废，十年读书早已悔。
五老招人笑举头，三老催船不自由。柔橹一声天似水，无情飞起两沙鸥。
Last year, I traveled in the mountains and did not fully appreciate the beauty of Mount Lu. This year, I looked upon it from the river and began to comprehend its grandeur.
I thought I had understood traveling in the mountains, yet did not recognize the true face of Mount Lu. Little did I know that looking at it from the river would fulfill my desire to see it, but also cause me to lose hope in fully experiencing its essence.
It's hard to predict life's twists and turns, and I always knew about this mountain from my window. But once I embarked on a career, my pursuits were overshadowed, and I regretted not reading for ten years.
The Five Old Ones would make fun of me whenever I looked up, and the Three Old Ones would hinder my freedom on the boat. With a gentle sound of the oars, the sky seemed vast like water, and unfeeling sandbars were scattered like two seagulls flying away.
《望庐山》一诗，以其独特的视角转换与深邃的人生感慨，引领读者步入一场视觉与心灵的双重旅行。去年，诗人踏入庐山的怀抱，或许是在蜿蜒的山径间穿梭，或是在葱郁的林海中漫步，那份对庐山的探索，留下了未了的情意。而今岁，他选择了一条截然不同的路径——在浩渺的江上远望，这一望，庐山的磅礴之势尽收眼底，仿佛是大自然最慷慨的馈赠，让诗人心中的庐山图景得以圆满。
诗中，“只道山中行，未识庐山面”，道出了行者的局限与视角的狭隘。在山中行走，虽能亲近每一寸土地，感受每一缕清风，却往往难以窥见庐山的全貌。而江上的一瞥，虽隔着遥远的距离，却以一种超然物外的视角，让庐山的壮丽无遗地展现在眼前。然而，这瞬间的震撼也带来了微妙的失落，“那知江上望，已失庐山愿”，或许是因为那份身临其境的真实触感，在远眺中难以复得，诗人的心中不禁泛起一丝遗憾。
接下来，诗人笔锋一转，将思绪从眼前的景致拉回到个人命运的沉思。“人生出处前料难”，人生之路，何其曲折多变，哪里是出发，哪里是归宿，往往难以预料。回想起往昔，“向来窗下有此山”，或许在埋头苦读的日子里，庐山就静静地矗立在窗外，成为心中一片未探索的秘境。而今，“一行作吏事便废，十年读书早已悔”，步入仕途，俗务缠身，曾经对知识的渴望与追求，似乎已渐行渐远，心中难免生出几分悔意。
诗的末尾，以生动的画面收束：“五老招人笑举头，三老催船不自由。柔橹一声天似水，无情飞起两沙鸥。”五老峰似在招手，引人仰望，而三老峰则仿佛在催促着船只前行，不由自主。随着船桨轻轻摇曳，水面泛起层层涟漪，天空仿佛与水融为一体，清澈无边。就在这时，两只沙鸥无情地振翅高飞，它们的自由与超脱，与诗人内心的束缚形成鲜明对比，引人深思。
整首诗，通过对庐山不同视角的描绘，不仅展现了自然之美，更深刻地触及了人生的哲理。它告诉我们，视角的转换能带来全新的认知，而人生的选择，往往伴随着得与失。在追求与放弃之间，我们或许更能体会到生命的真实与复杂，学会在变化中寻找内心的平静与自由。