赋得刘伶台送丁掾之淮安
刘伶沛国人，独以好饮名。
每乘苍鹿车，出入携瓶罂。
结交嵇阮徒，陶然过平生。
妻言不足听，自谓能忘情。
常使荷锸随，已觉累尔形。
如何饮酒台，却在淮阴城。
千年土花白，尚疑垒曲成。
至今台下草，春风吹不醒。
君行戒晨装，淮泗千里程。
登台勿酹酒，当诵周觞铭。
Liu Ling is a native of Peili, famous for his love of drinking. He often travels in a carriage driven by a grey deer, and carries bottles and jars with him. He makes friends with Ji Xiaolan and Ruan Ji, and enjoys life with them under the state of peace and harmony. His wife's words are not worth listening to, as he claims he can forget his emotions. He often asks her to carry a shovel with him, which he feels is a burden to her figure. He believes that the platform for drinking is in Huaiyin City. Over the years, the soil has turned white with flowers, and it is still suspected that it was piled up in layers of grain. The grass under the platform remains unaffected even by the spring breeze. As you set out in the morning clothes, remember the long journey of thousands of miles along the Huaihe River and Si River. When you climb the platform, do not pour liquor as a sacrifice, but recite the lines from Zhou's drinking song instead.
《赋得刘伶台送丁掾之淮安》一诗，以其古朴的笔触和深邃的意境，为我们勾勒了一幅穿越时空的送别图景，同时也寄托了诗人对友人的殷切期望与深深祝福。
开篇即点出刘伶这一历史人物，他是魏晋时期沛国人，以好酒闻名于世。诗人用“独以好饮名”五字，简练而传神地概括了刘伶的特质，让人物形象跃然纸上。随后，“每乘苍鹿车，出入携瓶罂”，通过描绘刘伶乘着青鹿车，随身携带酒器的场景，进一步刻画了他不羁的生活态度和对酒的痴迷。刘伶与嵇康、阮籍等人的结交，更是彰显了他超脱世俗、追求心灵自由的生活哲学，“结交嵇阮徒，陶然过平生”，这份超脱与自在，令人向往。
“妻言不足听，自谓能忘情”，这两句不仅反映了刘伶面对世俗眼光时的豁达与不羁，也隐含了对人生情感的一种超然态度。而“常使荷锸随，已觉累尔形”的描述，更是将刘伶那种生死看淡、随时准备归葬的洒脱表现得淋漓尽致，这种对生死的淡然态度，在那个动荡不安的时代背景下，显得尤为难能可贵。
接下来，诗人笔锋一转，将视线拉回到现实，提出疑问：“如何饮酒台，却在淮阴城。”刘伶的饮酒台竟位于淮阴，这一地理上的巧合，为接下来的送别增添了历史的厚重感。千年之后，那台上的土花已泛白，仿佛还能看见当年酒曲堆积的痕迹，“千年土花白，尚疑垒曲成”，这不仅是对历史的追溯，也是对过往岁月的无限感慨。
“至今台下草，春风吹不醒”，这句诗以草喻人，暗示着历史的沧桑与人事的变迁，即便是春风也无法唤醒那些沉睡在岁月深处的记忆，一种淡淡的哀愁与无奈油然而生。
最后，诗人将笔触转向即将远行的友人丁掾，“君行戒晨装，淮泗千里程”，简短几句，既表达了对友人旅途的关切，也预示着即将来临的离别。在送别之际，诗人没有让友人向刘伶台酹酒，而是告诫他要铭记“周觞铭”——或许是指周代宴饮时的礼仪与教训，亦或是更深层次的道德与智慧，以此来勉励友人在未来的道路上保持清醒与自律。
整首诗通过对刘伶故事的回顾与友人离别的描绘，巧妙地将历史与现实、个人情感与时代精神融为一体，既展现了诗人对历史的深刻洞察，也流露出对友人的深情厚谊与美好祝愿。在流畅自然的叙述中，我们仿佛能穿越时空，与古人对话，感受那份跨越千年的情感共鸣。